A Creator of Sound and a Curator of Aesthetic, Loke Rahbek (Croatian Amor, Lust For Youth, Sexdrome, Vår)
LR: I don’t know, that it is so strange to want to do different things. I try and bike a new route to our store everyday and go to a new place to swim, I try and enjoy the view from as many angles as possible. I imagine that it will change with years, that I someday will know my favorite route, and my favorite part of the harbour, but it would be much too early to settle now.
The different projects all serve different purposes, they could not be one, or I don’t think they should rather. I look at them somewhat like different parts of the same body. Hands, ears ,eyes, genitals. They have different assignments, but work for the same machine so-to-speak. Or costumes in a big closet.
There is freedom in new names. That is an important aspect; to be totally free
LR: It rarely starts with music, most often there is a picture or a word or a sentence. Something that gets stuck in the system. The writing process is different in every project and for every time really, sometimes I lie on my back for a long time and listen, sometimes I shout till I lose my voice. Somethings are best recorded early in the morning and some late at night, it depends the project and it depends on the day.
LR: It has always felt like Posh Isolation decides for it self what it wants to do. The pallet is broad definitely but, I think all the colours still match.
LR: The visual is the first meeting, the first impression. It depends on the story, it depends on the room, what indicators you want to give. If you are going to church you wont usually wear your bondage gear. If you go on a date you might wear a dress that you wouldn’t wear to a job interview. It is a lot like peacocking. Presentation is everything.
LR: The initial idea was to put out the first Damien Dubrovnik album. When that was done it felt like there was more to be done, now 130 releases later it still feels like there is more to be done.
LR: Well it is difficult to give a straight answer to a question like that cause it always changes, and it is never one or the other completely. I am not a musician, I don’t think in music most often, I think in images and translate them. But, I guess they correlate, the images follows the music and the word and vice versa.
LR: They [mindset] are different of course but, they are also there, all of them floating next to each other in the same bloodstream. Yesterday I read “Heart of Darkness” by Joseph Conrad by a lake in Sweden and it moved me, then I ate lunch. In the evening I saw my good friend play a beautiful piece in an old mine facility, with 20 meters or more to the ceiling. Then I checked my emails and after that we had drinks, I chatted about big and small with a beautiful girl, then I talked with a boy about making music for a long time. All those situations require different mindsets, each action or communication is unique. The day before I performed with Damien Dubrovnik and that, again, required something else. But, all the emotions and the reactions are in there, the hand that beats is the same hand you use to caress someones forehead or turn on a light switch or wash vegetables. Sometimes I shout, sometimes I scream, sometimes I sing or talk, the transitions are natural.
LR: It is important to know when to stop, it is almost as important as knowing when to start. Everything moves and everything has a peak. Sexdrome ended because it had served its purpose. Playing the last show was an incredible experience; and the fact that it could be that proved that it was stopped in time. There is nothing worse than when people dont have a sense of when to stop talking. The same counts for Vår, it said what it wanted to say. In the end, everything must go.
LR: I am very happy with the album and about the time we spent making it. I am curious to see what’s next.
LR: To be working on several different projects at the same time is not new for me. That is the position I have put myself in, they learn from each other of course, but they are also completely different.
LR: I hope so, The Wild Palms has been a very rewarding experience.
LR: I touched upon this in another interview but, my hope is that the release will be a shared piece somehow. Equal in its communication, making the relation less asymmetrical.
LR: That is a secret.